Royal vienna style hand painted plate - woman & cherub-cobalt raised gold - 22cm

This exquisite Vienna-style porcelain cabinet plate dates to the late 19th century (c. 1880–1900) and measures approximately 22 cm in diameter . Finely hand-painted and richly decorated, it was created as a display piece, intended to be admired for both its artistic quality and emotional depth. The plate is in very beautiful overall condition , with no chips, cracks, or restorations, and only very small, natural imperfections consistent with age. The reverse bears a traditional blue beehive-style mark and the handwritten title “Prisonnière ,” a French word meaning “a woman who is captive.” In art and literature, the term often refers not to physical imprisonment, but to emotional or symbolic captivity — a theme that unfolds quietly in the image itself. The central composition, inspired by the romantic artwork of Édouard Bisson , depicts a young woman dressed in a flowing gold Empire-style gown , painted with remarkable softness and sensitivity. Her hands are positioned behind her back in a posture that recalls restraint , a familiar visual language of captivity. At first glance, it suggests surrender — yet the scene immediately softens this impression. The restraint is not imposed by force. A small cherub (putto) stands behind her, guiding her hands together with a thin cord. The gesture is gentle, almost playful, and the cord is not tightened or binding . There is no struggle, no tension — just a quiet suggestion of control transformed into tenderness. What initially resembles confinement gradually reveals itself as something chosen rather than enforced. Her expression reinforces this delicate balance. Her face is calm, soft, and reflective, as if she both wants to escape and chooses not to . The image speaks of love's ability to imitate the language of captivity while removing its fear, turning restraint into attachment and surrendering into emotion. The scene is framed by a richly decorated deep cobalt blue border , adorned with raised gilt scrollwork, floral motifs, and delicate white enamel accents. The luminous gold against the deep blue enhances the elegance of the composition and reflects the high level of craftsmanship associated with Vienna-style decorative porcelain of this period. In this way, the meaning of the title “Prisonnière” becomes clear. The woman is not portrayed as a captive by force, but as someone held by feeling gently and choice. The title does not describe condemnation, but a quiet emotional state — one in which freedom is possible, yet willingly delayed. Taken as a whole, this plate is more than a decorative object. It is a visual poem — a refined expression of romantic symbolism, emotion, and craftsmanship characteristic of late 19th-century Vienna-style porcelain, inviting the viewer to pause, reflect, and feel. An exceptional and highly decorative collectible, combining beauty, craftsmanship, and classical charm. A standout piece that enriches any fine porcelain collection or elegant interior setting.